House blueprint art12/2/2023 ![]() ![]() ![]() Butttt basically they’re controlling her like a video game character.” “Don’t look much into it … I wish I didn’t. ![]() “It’s an NPC control kink,” one Twitter user commented on a video of Sinon’s stream. She responds to gifts with repetitive phrases like “mmm ice cream so good,” “gang gang” or, for select viewers, “love you!” In one of her most popular bits, she pretends to pop balloons across the screen with hypnotizing cadence of a practiced ASMR artist. She pops popcorn kernels with a hair straightener. With neutral facial expressions and mesmerizing consistency, they sway back and forth, utter catchphrases in return for digital currency and above all, stay in character for hours at a time.įedha Sinon, a TikTok creator known as PinkyDoll, became the face of the trend this month when clips of her livestreams went viral on Twitter. In these streams, creators imitate the awkward, stiff movements typically seen in throwaway characters that didn’t get enough design time. The once niche NPC livestreams are gaining popularity as a lucrative genre of content. Online, particularly on TikTok, Reddit and 4chan, NPC is used as a derogatory term for people who aren’t all there.ĭespite the demeaning connotations, NPCs are having their moment in the spotlight. Instead, all interactions with NPCs are preset, which means the characters are limited to repeating their loops with little other substance. The phrase NPC, or “non-playable character,” refers to video game characters whose personalities, dialogue and story lines cannot be controlled by the player. What onlookers actually seem to be mad about is the fact that these creators - most of whom are attractive young women - manage to profit off of being weird online. Sex workers, meanwhile, are unfairly dragged into dehumanizing conversations about the genre. Snippets of these creators’ livestreams keep going viral, and because the internet loves to hate on women, the nonsensical mannerisms that these creators use in their content has been written off as disturbing, cringe and definitely a sex thing. It’s a symptom of the anti-sex moral panic sweeping pop culture - and this time, it’s coming for TikTok’s NPC creators. Ever.Every time a woman monetizes the absurd, she’s accused of making fetish content. You will get full access to divisare archive and you will help us keep the lights on.ĭivisare subscription is free for teachers & students No Ads. If you like what we’re doing, please Subscribe. No click - like - tweet - share, no advertising, banners, pop-ups. This is why Divisare is a place to perceive architecture slowly, without distractions. Instead of hastily perused information, we prefer knowledge calmly absorbed. Instead of a quick, distracted web, we want a slow, attentive one. Patient work, done with care, image after image, project after project, to offer you the ideal tool with which to organize your knowledge of contemporary architecture. Join us in taking a stand against the short attention architecture media.ĭivisare is the result of an effort of selection and classification of contemporary architecture conducted for over twenty years. It is a different idea of the web, which we might call slow web. banners, pop-ups or other distracting noise. No "click me," "tweet me, "share me,” "like me." No advertising. Behind all this there is the certainty that we can do better than the fast, distracted web we know today, where the prevailing business model is: "you make money only if you manage to distract your readers from the contents of your own site." With divisare we want to offer the possibility, instead, of perceiving content without distractions. A long, patient job of cataloguing, done by hand: image after image, project after project, post after post. Every Collection in our Atlas tells a particular story, conveys a specific viewpoint from which to observe the last 20 years of contemporary architecture. Our model was the bookcase, on whose shelves we have gathered and continue to collect hundreds and hundreds of publications by theme. So we began to build divisare not vertically, but horizontally. May be because we wanted to distinguish divisare from the web that is condemned to a sort of vertical communication, always with the newest architecture at the top of the page, as the "cover story," "the focus."Ĭontent that was destined, just like the oh-so-new architecture that had just preceded it a few hours earlier, to rapidly slide down, day after day, lower and lower, in a vertical plunge towards the scrapheap of page 2. ![]()
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